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I think 'Sound of My Voice' was the first film where suddenly I could point to something I had done
I think 'Sound of My Voice' was the first film where suddenly I could point to something I had done
I think 'Sound of My Voice' was the first film where suddenly I could point to something I had done
I think 'Sound of My Voice' was the first film where suddenly I could point to something I had done
I think 'Sound of My Voice' was the first film where suddenly I could point to something I had done
I think 'Sound of My Voice' was the first film where suddenly I could point to something I had done
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Rachel Morrison:
I love the team aspect of filmmaking.Rachel Morrison:
It's always a challenge to shoot a period film and not have it look like you hit the tea stain buttRachel Morrison:
So much of 'Mudbound' is about man's relationship to the land and to the elements. It's about the dRachel Morrison:
When shooting in real spaces, the work of a cinematographer begins where location meets productionRachel Morrison:
We shot 'Mudbound' in the South in the summer, which meant we were working in extreme heat and humiRachel Morrison:
I shot 'Fruitvale Station' on super-16, and then I shot a movie called 'The Harvest' on 35mm, and tRachel Morrison:
It would be naive to say that you could make a movie on film for the same price you can digitally.Rachel Morrison:
I don't love cinematography that's very flashy because I find that it keeps the audience from becomRachel Morrison:
The only consistency in the work I do is that I try to use cinematography to best tell the narrativRachel Morrison:
My mom was diagnosed with breast cancer when I was four. And she was re-diagnosed when I was seven