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I wanted James Carville to never die. I wanted Dylan, the poet, to not die. I wanted to put these p
I wanted James Carville to never die. I wanted Dylan, the poet, to not die. I wanted to put these p
I wanted James Carville to never die. I wanted Dylan, the poet, to not die. I wanted to put these p
I wanted James Carville to never die. I wanted Dylan, the poet, to not die. I wanted to put these p
I wanted James Carville to never die. I wanted Dylan, the poet, to not die. I wanted to put these p
I wanted James Carville to never die. I wanted Dylan, the poet, to not die. I wanted to put these p
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D. A. Pennebaker:
I didn't know Jack Kennedy that well, but Bobby was a hero to me.D. A. Pennebaker:
We're actually thinking about distributing 'Moon Over Broadway' on-line. It's tempting, because wheD. A. Pennebaker:
Albert Grossman called my office and spoke with my partner Richard Leacock and asked if we'd be intD. A. Pennebaker:
I think, in general, independents don't have a lot of access to really good scriptwriters or actorsD. A. Pennebaker:
Filming is a witnessing process. You don't try to control it, even though sometimes you wish you coD. A. Pennebaker:
To make theater out of real life, you need to catch dialogue when it happens.D. A. Pennebaker:
If you're filming somebody doing something they really want to do, you're probably not very high onD. A. Pennebaker:
When you're editing, you're putting it together in a way that makes sense metaphysically. You're noD. A. Pennebaker:
Animals are companions on this planet, not necessarily our feedbags.D. A. Pennebaker:
One of the things we found out as we filmed with people who dealt with chimps, and with all animals