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I was a singer professionally when I was four years old, and I did not really begin to play any ins
I was a singer professionally when I was four years old, and I did not really begin to play any ins
I was a singer professionally when I was four years old, and I did not really begin to play any ins
I was a singer professionally when I was four years old, and I did not really begin to play any ins
I was a singer professionally when I was four years old, and I did not really begin to play any ins
I was a singer professionally when I was four years old, and I did not really begin to play any ins
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Mel Torme:
I want to sing for the broadest possible audience.Mel Torme:
I hadn't been a recording artist all that long when albums came on the scene, and I was one of theMel Torme:
I got into radio when I was eight, and I was one of the busiest child dramatic actors in America.Mel Torme:
I didn't really have an act per se - a theatrical performance, as opposed to just: here I am, folksMel Torme:
How many radio shows I did is lost to memory now; it's in the hundreds - maybe even close to beingMel Torme:
But, in fairness to them, too, the popular song per se is really a pretty shallow medium to performMel Torme:
Buddy Rich is one of a kind; he's a genius, and that's all there is to it.Mel Torme:
Because obviously the whole purpose of putting records out is purely and simply to make money.Mel Torme:
Because Chicago was to radio what Hollywood was to films and Broadway was to the theatre: it was thMel Torme:
As regards my feelings about drummers - there's Buddy Rich, and then there's everybody else.