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I was always the first person in the theater all the time. If it was an eight-o'clock curtain, I wa
I was always the first person in the theater all the time. If it was an eight-o'clock curtain, I wa
I was always the first person in the theater all the time. If it was an eight-o'clock curtain, I wa
I was always the first person in the theater all the time. If it was an eight-o'clock curtain, I wa
I was always the first person in the theater all the time. If it was an eight-o'clock curtain, I wa
I was always the first person in the theater all the time. If it was an eight-o'clock curtain, I wa
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Beverly Sills:
I began by listening to my mother's collection of Amelita Galli-Curci and Lily Pons records, and thBeverly Sills:
When I was general director of City Opera, we were pioneers in the practice of projecting supertitlBeverly Sills:
I love Massenet - 'Manon' had been a wonderful role for me - and the music he wrote for 'Thais' isBeverly Sills:
The 'Daughter of the Regiment' that I did in Boston was vintage Sarah Caldwell, which is to say itBeverly Sills:
Opera became popular in Texas the same way it did in a lot of previously isolated regions of the naBeverly Sills:
My parents never told me about Papa's lung cancer or the desperate nature of the operations he wasBeverly Sills:
My father died five days before I returned to New York. He was only fifty-three years old. My parenBeverly Sills:
You see why we play so many crazy ladies. We have to be crazy to start with.Beverly Sills:
I think you have to take everything that looks like a blow and turn it into a triumph. This is wherBeverly Sills:
I got out while they were still fighting to buy tickets to hear me. I believe in getting out when y