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I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very bl
I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very bl
I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very bl
I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very bl
I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very bl
I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very bl
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Jerry Leiber:
I heard this music coming out of the radio and it was 'Ain't Nobody's Business.' It got me. I thougJerry Leiber:
Irving Berlin was the greatest songwriter of all time. I was in awe of him. But his music wasn't myJerry Leiber:
The first memory I have was my sisters dancing to the radio when they played records by Benny GoodmJerry Leiber:
Elvis Presley, you can't define him in a couple of sentences, but he was a country boy and he was vJerry Leiber:
The early influences, in many ways, were in Baltimore. I was passing open windows where there mightJerry Leiber:
The Jewish background is not that far from the black groove. Blacks are downtrodden, Jews are downtJerry Leiber:
Listen to any cantor, any good hazan, sing and you can hear a little bit of Ray Charles going on.Jerry Leiber:
It's self-effacing, it's hard-luck, the shtetl stories. All those Coasters things are an amalgam ofJerry Leiber:
Our songs did not transcend being R&B hits. They were R&B hits that white kids were attracted to. AJerry Leiber:
'Hound Dog' took like twelve minutes. That's not a complicated piece of work. But the rhyme scheme