I worked for a newspaper in Europe for, I lived in Europe for about seven years, so I worked in this sort of a yellow journalism kind of a thing, it was like a scandal sheet.

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• Kurt Loder:

  I was in college for two years, and just hated it in the '60s.

• Kurt Loder:

  I think television often has dismissed younger people. They figure, well, they're not really watchi

• Kurt Loder:

  I spent time in, like, criminal courts, and covering murder trials for papers.

• Kurt Loder:

  I know what the structure of the language is.

• Kurt Loder:

  I don't find music being less important than, like, politics.

• Kurt Loder:

  I came over here and worked for rock magazines, and I worked for Rolling Stone, which has a very hi

• Kurt Loder:

  But music raises a lot of issues. Music is something that matters to people a lot, and they put a l

• Kurt Loder:

  And you can't really cover people critically that you're friends with.

• Christian de Portzamparc:

  Architecture has a strong link with the movies in terms of time progression, sequencing, framing, a

• Christian de Portzamparc:

  An architect must remember that the people working or living in his building need space - to dream,