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If the seams are showing, there is something wrong with the performance or the construction of the
If the seams are showing, there is something wrong with the performance or the construction of the
If the seams are showing, there is something wrong with the performance or the construction of the
If the seams are showing, there is something wrong with the performance or the construction of the
If the seams are showing, there is something wrong with the performance or the construction of the
If the seams are showing, there is something wrong with the performance or the construction of the
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Esa-Pekka Salonen:
As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, raEsa-Pekka Salonen:
Orchestras have become used to the emphasis on the separation of layers, of the ultimate precisionEsa-Pekka Salonen:
I'm still disturbed if a chord isn't together, but your priorities change as you get older.Esa-Pekka Salonen:
After working with Ligeti I began to hear Brahms and Beethoven differently.Esa-Pekka Salonen:
In the range of music that we play - roughly 300 years' worth-there really are more similarities thEsa-Pekka Salonen:
Los Angeles is just a more open place. The way L.A. functions is that people give you a forum. TheySterling Marlin:
I think we'll be in pretty good shape. We've got the same car we ran in all the speedway races sincSterling Marlin:
The guys have a lot of good cars built up. We're going to do some more testing before we go back toSterling Marlin:
We're having a good time. That's what I did last year. If you can't have a good time, you might asSterling Marlin:
A guy came to the shop every day. A lot of guys put the foam like stuff that forms to you, kinda li