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If you look at my audiences, even in Europe, they're hardly teenagers.
If you look at my audiences, even in Europe, they're hardly teenagers.
If you look at my audiences, even in Europe, they're hardly teenagers.
If you look at my audiences, even in Europe, they're hardly teenagers.
If you look at my audiences, even in Europe, they're hardly teenagers.
If you look at my audiences, even in Europe, they're hardly teenagers.
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Norman Granz:
In 1958, I decided that I was going to live in Europe permanently. So in 1959 I moved to Lugano, SwNorman Granz:
Jazz was uplifted by what I did.Norman Granz:
My function at Verve was that of a genuine producer in artists and repertoire.Norman Granz:
My juices needed restoring. I needed a sabbatical from the record business.Norman Granz:
Sponsors and networks will really go all out and simply evaluate people on the basis of talent.Norman Granz:
The history of all big jazz bands shows was, first they played for dancing, and then they played foNorman Granz:
The public, hearing pop music, is, without knowing it, also soaking up jazz.Norman Granz:
The record companies are interested in the kind of sales they can get from the rock groups.Norman Granz:
When I was doing jazz concerts in America, I would use the biggest names I could find.Norman Granz:
You will always find a few people in any area that would like things done completely their way.