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If you're a designer, there's got to be some films that you've seen that have inspired you creative
If you're a designer, there's got to be some films that you've seen that have inspired you creative
If you're a designer, there's got to be some films that you've seen that have inspired you creative
If you're a designer, there's got to be some films that you've seen that have inspired you creative
If you're a designer, there's got to be some films that you've seen that have inspired you creative
If you're a designer, there's got to be some films that you've seen that have inspired you creative
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Ozwald Boateng:
I had a suit made for me when I was five. It was double-breasted, mohair and purple. My mother wasOzwald Boateng:
Anyone can wear any color. The question is about finding the right shade. There is a momentary trenOzwald Boateng:
Shirt collars are very important to me. Putting a very soft shirt collar with a formal suit doesn'tOzwald Boateng:
I haven't been to a job interview since I was 16 years old. When I was approached by Givenchy it waOzwald Boateng:
When I started, department stores were either very fashion, or very tailored, so the two never mixeOzwald Boateng:
If I'm going to do something, I'm going to do it well. That's just my character, that's just the waOzwald Boateng:
When things happen - you ask yourself why today, why not tomorrow, why not yesterday? That's the moOzwald Boateng:
Tailoring was considered to be a world that was very traditional, and basically going out of fashioOzwald Boateng:
I'm not into street clothes. Don't understand it. I don't understand those over-exaggerated jean siOzwald Boateng:
You come to me and it's my job to make you look the best you can look. From an image point of view,