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I'm interested in Scotland now and then, how it's changed. I want to get the reader to think about
I'm interested in Scotland now and then, how it's changed. I want to get the reader to think about
I'm interested in Scotland now and then, how it's changed. I want to get the reader to think about
I'm interested in Scotland now and then, how it's changed. I want to get the reader to think about
I'm interested in Scotland now and then, how it's changed. I want to get the reader to think about
I'm interested in Scotland now and then, how it's changed. I want to get the reader to think about
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Ian Rankin:
I've always written. At the age of six or seven, I would get sheets of A4 paper and fold them in haIan Rankin:
Right from the very beginning, I knew I wanted to write palpably Scottish fiction.Ian Rankin:
I wrote my first short story for a competition and won second prize. Another competition came up anIan Rankin:
I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dadIan Rankin:
A lot of writers, especially crime writers, have an image that we think we're trying to keep up witIan Rankin:
The most difficult part of any crime novel is the plotting. It all begins simply enough, but soon yIan Rankin:
I don't think I have one particular favourite writer. I have many whose works I will always buy orIan Rankin:
I'm often asked how I write books, but I don't think my approach is suitable for everyone. If I walIan Rankin:
At all times, think like a writer, and keep those antennae twitching - that way, you pick up new idIan Rankin:
I don't have many friends. It's not because I'm a misanthrope. It's because I'm reserved. I'm self-