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In Afghanistan, this is the problem, because everybody holds a piece of that mirror, and they all l
In Afghanistan, this is the problem, because everybody holds a piece of that mirror, and they all l
In Afghanistan, this is the problem, because everybody holds a piece of that mirror, and they all l
In Afghanistan, this is the problem, because everybody holds a piece of that mirror, and they all l
In Afghanistan, this is the problem, because everybody holds a piece of that mirror, and they all l
In Afghanistan, this is the problem, because everybody holds a piece of that mirror, and they all l
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Mohsen Makhmalbaf:
If I make two films in a year, they'll be different. This is my style - I can't have just one way.Mohsen Makhmalbaf:
I've heard about brothers making films, but I've never heard about whole families making films likeMohsen Makhmalbaf:
I'm not playing myself. It's a symbolic situation, where I want to introduce a fascist behind the tMohsen Makhmalbaf:
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I wanted to be left alone to live my life, so it was very easy for people to pretend that they wereMohsen Makhmalbaf:
I myself had to grow a longer beard and Afghan clothes. I was in danger of being kidnapped by smuggMohsen Makhmalbaf:
From my films, you can at least learn about Iran, you can get a sense of the history and the societMohsen Makhmalbaf:
From 7 in the morning to 11 at night, I was reading. I don't think one can find any other time in oMohsen Makhmalbaf:
Five years ago, Samira did not want to continue in the regular school system in Iran. To help her wMohsen Makhmalbaf:
Do you know that every day, 10 people in Afghanistan are injured by landmines? It will continue for