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In any art movement, the art has to move into a new phase - a filmmaker has a desire to make a film
In any art movement, the art has to move into a new phase - a filmmaker has a desire to make a film
In any art movement, the art has to move into a new phase - a filmmaker has a desire to make a film
In any art movement, the art has to move into a new phase - a filmmaker has a desire to make a film
In any art movement, the art has to move into a new phase - a filmmaker has a desire to make a film
In any art movement, the art has to move into a new phase - a filmmaker has a desire to make a film
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Norman McLaren:
Film is changing, and it can't help but keep changing.Norman McLaren:
I don't know whether it ever comes back to the same thing; it does return to the spirit of a previoNorman McLaren:
Take a film of Jacques Tati like Mon Oncle which has something quite new - for me, unique - in it.Norman McLaren:
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The process of art evolving is always one which has fascinated me.Norman McLaren:
I like black and white films. I don't exactly know why - probably because there is a stylization whNorman McLaren:
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The good moral work of art should have all the qualities that a good amoral work of art should haveNorman McLaren:
But it has, in addition, an even more precious quality - a consciousness of the human intelligence,Leo Rosten:
I learned that it is the weak who are cruel, and that gentleness is to be expected only from the st