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In art, S. Bridget is usually represented with her perpetual flame as a symbol, sometimes with a co
In art, S. Bridget is usually represented with her perpetual flame as a symbol, sometimes with a co
In art, S. Bridget is usually represented with her perpetual flame as a symbol, sometimes with a co
In art, S. Bridget is usually represented with her perpetual flame as a symbol, sometimes with a co
In art, S. Bridget is usually represented with her perpetual flame as a symbol, sometimes with a co
In art, S. Bridget is usually represented with her perpetual flame as a symbol, sometimes with a co
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Sabine Baring-Gould:
Verdiana was the child of poor though well-born parents, and her knowledge of the sufferings of theSabine Baring-Gould:
I went to Iceland in 1861 and went over nearly every bit of the ground made famous by the adventureSabine Baring-Gould:
The original settlers in Iceland were the nobles of Norway who left their native land to avoid theSabine Baring-Gould:
In winter, the Icelanders told the tales of the brave men of old in their families, and so the tradSabine Baring-Gould:
About two hundred or two hundred and fifty years after the death of Grettir, his history was commitSabine Baring-Gould:
In Ireland, the tribes are called after the founder, as the Hy Conaill, Hy Fiachra, or sons of ConaSabine Baring-Gould:
According to Celtic law, all sons equally divided the inheritance and principalities of their fatheSabine Baring-Gould:
When the British became Christian, Christianity in no way altered their political organisation.Sabine Baring-Gould:
The Celtic Church as we know it, till gradually brought under Roman discipline, was purely monasticSabine Baring-Gould:
Black was not the universal hue of mourning in Europe. In Castile, white obtained on the death of i