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In fashion, you have assistants, flashes; you can make sets. There are people running around doing
In fashion, you have assistants, flashes; you can make sets. There are people running around doing
In fashion, you have assistants, flashes; you can make sets. There are people running around doing
In fashion, you have assistants, flashes; you can make sets. There are people running around doing
In fashion, you have assistants, flashes; you can make sets. There are people running around doing
In fashion, you have assistants, flashes; you can make sets. There are people running around doing
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William Klein:
For my first book, 'New York,' I had one camera and two lenses. It was fotografia povera.William Klein:
Fashion was more of a sideline for me. I did it for the money.William Klein:
I like dark humor. I think the world is very funny and tragic, and my photographs are basically darWilliam Klein:
I thought it would be good not to hide the fact that you're taking a photograph, and have people reWilliam Klein:
I thought it would be a good idea to look at New York with this half-European, half-native eye andWilliam Klein:
I always thought I was going to be an artist. I used to draw, and I would read Russian novels untilWilliam Klein:
If I didn't have to earn a living somehow, I would never have taken a fashion photograph in my lifeWilliam Klein:
When I was a kid in New York, long before saturation sports coverage, the world heavyweight champioWilliam Klein:
If a film is a real knockout like 'Raging Bull,' it does not matter that it might not have happenedWilliam Klein:
The kinetic quality of New York, the kids, dirt, madness - I tried to find a photographic style tha