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In Japan, after having lost World War II, the hierarchy that used to exist in the society, from the
In Japan, after having lost World War II, the hierarchy that used to exist in the society, from the
In Japan, after having lost World War II, the hierarchy that used to exist in the society, from the
In Japan, after having lost World War II, the hierarchy that used to exist in the society, from the
In Japan, after having lost World War II, the hierarchy that used to exist in the society, from the
In Japan, after having lost World War II, the hierarchy that used to exist in the society, from the
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Takashi Murakami:
In the West, it's just a given that art exists in this high-class place. But in Japan, there's no hTakashi Murakami:
I don't think it's an unnatural thing at all for my collaborations or projects to be seen as art buTakashi Murakami:
My company, Kaikai Kiki, is unique because it's an art business. I had to find out how to do this bTakashi Murakami:
Every day, I have new ideas. It makes my brain tired, so I spend time taking care of company qualitTakashi Murakami:
I don't always enjoy curating, but I do believe it's part of my job. It's a good exercise for my brTakashi Murakami:
As a young artist in New York, I thought about postwar Japan - the consumer culture and the loose,Takeoff:
We want our legacy to stand upon the youth. We want to give knowledge to the younger generation andTakeoff:
We play a beat for 15, 20 seconds and know if we want to get on it. When we record a verse, it's noTakeoff:
We owned the mixtape game, and every mixtape we put out was like an album.Takeoff:
Before we were Migos, we were called Polo Club and wore them thangs. It was cool back then, but now