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In many respects, theater is still grappling with problems of reality and representation that the v
In many respects, theater is still grappling with problems of reality and representation that the v
In many respects, theater is still grappling with problems of reality and representation that the v
In many respects, theater is still grappling with problems of reality and representation that the v
In many respects, theater is still grappling with problems of reality and representation that the v
In many respects, theater is still grappling with problems of reality and representation that the v
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Tim Crouch:
I am particularly interested in creating a relationship between ideas of reception in conceptual arTim Crouch:
I'm attracted to the underrated characters.Tim Crouch:
'Malvolio' is the one show of mine that will not die. I've performed it more than 200 times all oveTim Crouch:
Theatre can be so patronising. So often, it's just proselytising for the theatre.Tim Crouch:
There is a satire that exists in 'My Arm,' but there is also an honoring of some of the stronger idTim Crouch:
Art is a subjective thing, and it should be a subjective thing. And the difficulty of subjectivityTim Crouch:
I don't want real life necessarily to be seen only as a context to heighten the deepness my work.Tim Crouch:
I'm on a mission to make people aware that I'm not a solo artist. I'm sometimes challenged by the bTim Crouch:
Uncertainty is a very good thing: it's the beginning of an investigation, and the investigation shoTim Crouch:
'The Author' is a play about responsibility, how active we are as spectators and how responsible we