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In my 20s, as I began to travel in Europe, I found comfort in religious paintings. Even though my o
In my 20s, as I began to travel in Europe, I found comfort in religious paintings. Even though my o
In my 20s, as I began to travel in Europe, I found comfort in religious paintings. Even though my o
In my 20s, as I began to travel in Europe, I found comfort in religious paintings. Even though my o
In my 20s, as I began to travel in Europe, I found comfort in religious paintings. Even though my o
In my 20s, as I began to travel in Europe, I found comfort in religious paintings. Even though my o
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Colm Toibin:
The old Victorian laws against homosexuality were still on the statute books until the early 1990s.Colm Toibin:
In Ireland, novels and plays still have a strange force. The writing of fiction and the creation ofColm Toibin:
I wrote every day between the ages of 12 and 20 when I stopped because I went to Barcelona, where lColm Toibin:
You create a world away from home and make new rooms for yourself. But when you arrive back home inColm Toibin:
John McGovern taught me that it's OK to write repeatedly about the same things.Colm Toibin:
Look at Austen. In her novels, you get a dance, followed by an encounter, followed by a letter, theColm Toibin:
All writing is a form of manipulation, of course, but you realize that a plain sentence can actuallColm Toibin:
Between the time I was 16 until I was about 20, the books I read were by people like Thomas Mann, JColm Toibin:
When a book comes from the publisher and you see it for the first time... Of course it's not remoteColm Toibin:
I suppose one should have an integrated personality, but I've never really seen the point.