In prose, you have a lot more room for digression, for very meaty kinds of dialogues. In graphic novels, you're writing haiku-length dialogue. Your job is to be efficient, to get out of the way of the art.

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• G. Willow Wilson:

  I don't want to compare myself to somebody like Fitzgerald or Hemingway, but I feel like, for some

• G. Willow Wilson:

  I tend to deal with characters who are sort of at that same point of wrestling with, 'Who am I goin

• G. Willow Wilson:

  In Arab Islamic society, it is traditionally taboo to criticize the lifestyle or personal philosoph

• G. Willow Wilson:

  For most inhabitants of the Arab world, the prevailing cultural attitude toward women - fed and enc

• G. Willow Wilson:

  'Lost' seems to be the inverse of 'Air': It explores dispossession and identity by forcing a bunch

• G. Willow Wilson:

  'Air' is what the world looks like: An inconvenient mashup of human politics and divine geography.

• G. Willow Wilson:

  Leaving your country at a tender age really rearranges the way you perceive the world. So I feel ma

• G. Willow Wilson:

  I do hope the success of 'Ms. Marvel' will open doors for other characters and other creators.

• G. Willow Wilson:

  We don't want to create a literary ghetto in which black writers are only allowed to write black ch

• G. Willow Wilson:

  There is a certain danger in thinking about diversity in its own little box, as something that is s