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In terms of the feeling of the piece, I cant think about what people are gonna think about it, what
In terms of the feeling of the piece, I cant think about what people are gonna think about it, what
In terms of the feeling of the piece, I cant think about what people are gonna think about it, what
In terms of the feeling of the piece, I cant think about what people are gonna think about it, what
In terms of the feeling of the piece, I cant think about what people are gonna think about it, what
In terms of the feeling of the piece, I cant think about what people are gonna think about it, what
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Godfrey Reggio:
The language of the moment or, as it were, the language of the order in which we live, is the imageGodfrey Reggio:
Now having said that, I realize that releasing a film in the real world is like trying to get GenerGodfrey Reggio:
The only thing I can do is type. I learned that when I was 13.Godfrey Reggio:
In effect, I feel like a blind, deaf, and illiterate person working through the sensibilities and mGodfrey Reggio:
These films however, have ambiguity built into them, because it's too easy in film to make a strideGodfrey Reggio:
Technology is not neutral.Godfrey Reggio:
All tools have intrinsic politics and technology is the tool of now.Godfrey Reggio:
It's not just the effect of technology on the environment, on religion, on the economic structure,Godfrey Reggio:
I think there's an enormous value to being negative. The world we live in today, negativity is notGodfrey Reggio:
But in fact if you look at film as a metaphor, only through the negative can you have the positive