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In the late 1980s the amount of German films was down to four or five percent of the market, and th
In the late 1980s the amount of German films was down to four or five percent of the market, and th
In the late 1980s the amount of German films was down to four or five percent of the market, and th
In the late 1980s the amount of German films was down to four or five percent of the market, and th
In the late 1980s the amount of German films was down to four or five percent of the market, and th
In the late 1980s the amount of German films was down to four or five percent of the market, and th
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Wim Wenders:
Of course the French are making very credible movies and it is still one of the greatest nations inWim Wenders:
In this age of consumerism film criticism all over the world - in America first but also in EuropeWim Wenders:
Many French directors, having now realised there was no more real criticism, that the standards ofWim Wenders:
It's very hard to find critics or a magazine today that will publish material that is genuinely indWim Wenders:
Many of the critics today get airline tickets, hotel accommodation, bags, beautiful photographs, giWim Wenders:
Filmmakers and critics wrote about each other and sometimes very harshly. This no longer exists.Wim Wenders:
The culture of independent film criticism has totally gone down the drain and this seems to come wiWim Wenders:
Everything is entertainment; criticism is now entertainment and it seems that the French directorsWim Wenders:
Film is a very, very powerful medium. It can either confirm the idea that things are wonderful theWim Wenders:
Entertainment today constantly emphasises the message that things are wonderful the way they are. B