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It seems like, yeah, of course - I always think my work is important, or I wouldn't risk my life fo
It seems like, yeah, of course - I always think my work is important, or I wouldn't risk my life fo
It seems like, yeah, of course - I always think my work is important, or I wouldn't risk my life fo
It seems like, yeah, of course - I always think my work is important, or I wouldn't risk my life fo
It seems like, yeah, of course - I always think my work is important, or I wouldn't risk my life fo
It seems like, yeah, of course - I always think my work is important, or I wouldn't risk my life fo
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Lynsey Addario:
I remember the moment in which we were taken hostage in Libya, and we were asked to lie face down oLynsey Addario:
I wanted to continue doing my work, but I had to figure out how. And so what I have basically comeLynsey Addario:
You have two options when you approach a hostile checkpoint in a war zone, and each is a gamble. ThLynsey Addario:
I was kidnapped by Sunni insurgents near Fallujah, in Iraq, ambushed by the Taliban in the KorengalLynsey Addario:
I had imposed unspeakable worry on my husband, Paul de Bendern, on more occasions than I could counLynsey Addario:
The truth is, the difference between a studio photographer and a photojournalist is the same as theLynsey Addario:
Sometimes when I am photographing a major news event, I am suddenly overwhelmed by helplessness.Lynsey Addario:
I had first visited Kurdistan in 2003 before the invasion of Iraq, camping out in Erbil and SulaimaLynsey Addario:
To me, it's so much about doing your homework, going into a situation, getting to know the subject,Lynsey Addario:
I think when I started going to war zones and started covering humanitarian issues, it became a cal