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It sounds really stupid, I hate making cosmic comments like this but, I just let it do what it want
It sounds really stupid, I hate making cosmic comments like this but, I just let it do what it want
It sounds really stupid, I hate making cosmic comments like this but, I just let it do what it want
It sounds really stupid, I hate making cosmic comments like this but, I just let it do what it want
It sounds really stupid, I hate making cosmic comments like this but, I just let it do what it want
It sounds really stupid, I hate making cosmic comments like this but, I just let it do what it want
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Danny Elfman:
It's hard to get a film, you know, you need a very special film to be able to get that experimentalDanny Elfman:
It's just hard. I wish the studios felt there was more value in these themes and these pieces of maDanny Elfman:
Most often the music does end up in the movie, and sometimes there's a point where I wish that it wDanny Elfman:
Oh see, first off you gotta realize - everything for me is a reconstruction or deconstruction. I woDanny Elfman:
Or certainly I would need time - which I would love to have but there almost never is on a film - tDanny Elfman:
So I've learned in the past, if a company approaches me and they want something like this, or sometDanny Elfman:
So, it becomes an exercise in futility if you write something that does not express the film as theDanny Elfman:
Sometimes I like them artificial and sometimes I like them real. And the reason is because sometimeDanny Elfman:
That still has to be there. And so, it's kind of an interesting question you brought up. Because, oDanny Elfman:
The beauty of a main title is that you establish your main theme and maybe a bit of your secondary