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I've fished everywhere I've traveled.
Kehinde Wiley
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I've fished everywhere I've traveled.
I've fished everywhere I've traveled.
I've fished everywhere I've traveled.
I've fished everywhere I've traveled.
I've fished everywhere I've traveled.
I've fished everywhere I've traveled.
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Kehinde Wiley quotes and aphorisms
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Kehinde Wiley:
If you look at the paintings that I love in art history, these are the paintings where great, power
Kehinde Wiley:
My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you ma
Kehinde Wiley:
I started making work that I assumed would be far too garish, far too decadent, far too black for t
Kehinde Wiley:
Painting is about the world that we live in. Black men live in the world. My choice is to include t
Kehinde Wiley:
Artists are those people who sit at the intersection between the known and unknown, the rational an
Kehinde Wiley:
Many people see my early work simply as portraits of black and brown people. Really, it's an invest
Kehinde Wiley:
The performance of black American identity feels very different from actually living in a black bod
Kehinde Wiley:
When I'm at my best, I'm trying to destabilize myself and figure out new ways of approaching art as
Kehinde Wiley:
In the end, so much of what I wanted to do was to have a body of work that exhaustively looked at b
Kehinde Wiley:
Branding says a lot about luxury and about exclusion and about the choices that manufacturers make,
Next quotes
Kehinde Wiley:
If you look at the paintings that I love in art history, these are the paintings where great, powerKehinde Wiley:
My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you maKehinde Wiley:
I started making work that I assumed would be far too garish, far too decadent, far too black for tKehinde Wiley:
Painting is about the world that we live in. Black men live in the world. My choice is to include tKehinde Wiley:
Artists are those people who sit at the intersection between the known and unknown, the rational anKehinde Wiley:
Many people see my early work simply as portraits of black and brown people. Really, it's an investKehinde Wiley:
The performance of black American identity feels very different from actually living in a black bodKehinde Wiley:
When I'm at my best, I'm trying to destabilize myself and figure out new ways of approaching art asKehinde Wiley:
In the end, so much of what I wanted to do was to have a body of work that exhaustively looked at bKehinde Wiley:
Branding says a lot about luxury and about exclusion and about the choices that manufacturers make,