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Just as the development of earth art and installation art stemmed from the idea of taking art out o
Just as the development of earth art and installation art stemmed from the idea of taking art out o
Just as the development of earth art and installation art stemmed from the idea of taking art out o
Just as the development of earth art and installation art stemmed from the idea of taking art out o
Just as the development of earth art and installation art stemmed from the idea of taking art out o
Just as the development of earth art and installation art stemmed from the idea of taking art out o
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Sol LeWitt:
Also, since art is a vehicle for the transmission of ideas through form, the reproduction of the foSol LeWitt:
I didn't want to save art - I respected the older artists too much to think art needed saving. ButSol LeWitt:
Every generation renews itself in its own way; there's always a reaction against whatever is standaSol LeWitt:
The narrative of serial art works more like music than like literature.Sol LeWitt:
During the '70s I was interested in words and meaning as a way of making art.Sol LeWitt:
Unless you're involved with thinking about what you're doing, you end up doing the same thing overSol LeWitt:
When artists make art, they shouldn't question whether it is permissible to do one thing or anotherSol LeWitt:
You shouldn't be a prisoner of your own ideas.Sol LeWitt:
Artists teach critics what to think. Critics repeat what the artists teach them.Sol LeWitt:
Minimal art went nowhere.