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Just go outside and look at something and write it down and you'll find it is a very nice piece of
Just go outside and look at something and write it down and you'll find it is a very nice piece of
Just go outside and look at something and write it down and you'll find it is a very nice piece of
Just go outside and look at something and write it down and you'll find it is a very nice piece of
Just go outside and look at something and write it down and you'll find it is a very nice piece of
Just go outside and look at something and write it down and you'll find it is a very nice piece of
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John Sandford:
Most people who are trying to write kind of sit in their basements and pull it out of their imaginaJohn Sandford:
I've always been sort of interested in the rural countryside. Things happen out there that are veryJohn Sandford:
Most people like a little sex in their novels.John Sandford:
They don't have a lot of crime in the countryside other than theft. But every once in a while, thinJohn Sandford:
Well, I am becoming doddering and old but I have - I'm writing two books a year now. It's like 220,John Sandford:
There's something about marriage that is not as intensely romantic or interesting as a couple's firJohn Sandford:
These characters are not spontaneous creations. They are engineered down to the last nut and bolt.John Sandford:
With most of my books, I'll actually go out and look at the setting. If you describe things carefulJohn Sandford:
You have the feeling that if you get a Pulitzer, you're somehow set for life.John Sandford:
If you do outline, you have to be aware of the problems that that kind of thing can cause.