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Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpfu
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpfu
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpfu
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpfu
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpfu
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpfu
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Grant Heslov:
What you learn when you direct a film, even more so than as a producer, it's a marriage. It's likeGrant Heslov:
There are times when you work with directors on set, and things are a bit rudderless, and those canGrant Heslov:
There are films that cost a lot of money that might be decent films. But if they don't perform in tGrant Heslov:
It takes a long time to get a film made.Grant Heslov:
You have to make films you feel strongly about. And then hope you can find the audience.Grant Heslov:
Actors know how to talk to other actors in a way that sometimes other directors just don't.Grant Heslov:
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-Grant Heslov:
'The Ides of March' was a fairly cynical film.Grant Heslov:
'Monuments Men' is not a docudrama. It's not a documentary.Grant Heslov:
'Monuments Men' is a movie... I don't want to say for grown-ups, because some young folks could app