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Luckily, he was in the process of moving to France at the time, anyway. But if he had stayed in the
Luckily, he was in the process of moving to France at the time, anyway. But if he had stayed in the
Luckily, he was in the process of moving to France at the time, anyway. But if he had stayed in the
Luckily, he was in the process of moving to France at the time, anyway. But if he had stayed in the
Luckily, he was in the process of moving to France at the time, anyway. But if he had stayed in the
Luckily, he was in the process of moving to France at the time, anyway. But if he had stayed in the
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Terry Zwigoff:
Because I found myself telling the story of his family to people without the visual aids that I wasTerry Zwigoff:
And I sense it was a rather constructed, almost half narrative fiction film in some ways. A lot ofTerry Zwigoff:
Well, that was certainly - to me, until we could film in Charles' room, I didn't even want to botheTerry Zwigoff:
So I told Robert from the start that if we couldn't get Charles and Max to take part, but especiallTerry Zwigoff:
The things I want to make into a film, they're personal, esoteric things, and I don't expect anyoneTerry Zwigoff:
I'm not trying to be self-serving, but you know, you get to Hollywood, and if you want to make someTerry Zwigoff:
The first scene I ever shot for 'Louie Bluie,' on that first day, I had never seen the camera beforTerry Zwigoff:
Oh yes, I've been approached to do all sorts of nonsense. How about a remake of 'West Side Story?'Terry Zwigoff:
A lot of things I have turned down ended up being a big embarrassment. Like that script, 'The BeaveTerry Zwigoff:
People think I have an interest in comics, but I'm only interested in comics from the '40s, like 'D