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Making 'Sweetback' took an exorbitant amount of energy and time.
Making 'Sweetback' took an exorbitant amount of energy and time.
Making 'Sweetback' took an exorbitant amount of energy and time.
Making 'Sweetback' took an exorbitant amount of energy and time.
Making 'Sweetback' took an exorbitant amount of energy and time.
Making 'Sweetback' took an exorbitant amount of energy and time.
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Melvin Van Peebles:
I'm not a normal director. You can't look at me that way. What's kept me alive is my technical skilMelvin Van Peebles:
With 'Sweetback,' I just put it together a little bit at a time. I didn't do it on anybody's grant.Melvin Van Peebles:
I've never been to film school. I had to leave this country to make a film. All they would let me dMelvin Van Peebles:
My first feature, I made in France. There's a great respect for the author there - they don't changMelvin Van Peebles:
Before I made 'Sweetback,' I had a three-picture deal with Columbia and enough juice, if I was realMelvin Van Peebles:
When we talk about 'Sweetback,' yes, it stars the whole black movement, but it's also the first timMelvin Van Peebles:
Personally, I do movies the way I cook: I put in what I like in case nobody else likes it and I havMelvin Van Peebles:
I walk down the street; the garbagemen will shout at me, and we'll talk. That's a pleasure when peoMelvin Van Peebles:
Scars are the price you pay for success.Melvin Van Peebles:
There is a downside to affordable technology, and that's mediocrity. I mean, just 'cause you can af