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Mediaeval mythology, rich and gorgeous, is a compound like Corinthian brass, into which many pure o
Mediaeval mythology, rich and gorgeous, is a compound like Corinthian brass, into which many pure o
Mediaeval mythology, rich and gorgeous, is a compound like Corinthian brass, into which many pure o
Mediaeval mythology, rich and gorgeous, is a compound like Corinthian brass, into which many pure o
Mediaeval mythology, rich and gorgeous, is a compound like Corinthian brass, into which many pure o
Mediaeval mythology, rich and gorgeous, is a compound like Corinthian brass, into which many pure o
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Sabine Baring-Gould:
One of the great advantages of the study of old Norse or Icelandic literature is the insight givenSabine Baring-Gould:
Among the old Norse, it was the custom for certain warriors to dress in the skins of the beasts theSabine Baring-Gould:
Cornwall, peopled mainly by Celts, but with an infusion of English blood, stands and always has stoSabine Baring-Gould:
It is somewhat remarkable that Cornwall has produced no musical genius of any note, and yet the CorSabine Baring-Gould:
The great majority of the nobility and gentry of England clung to the doctrine and ceremonies of thSabine Baring-Gould:
Cornish wrestling was very different from that in Devon - it was less brutal, as no kicking was allSabine Baring-Gould:
God's truth is helped by no man's ignorance.Sabine Baring-Gould:
English churchmen have long gazed with love on the primitive church as the ideal of Christian perfeSabine Baring-Gould:
History, whether sacred or profane, hides her teaching from those who study her through coloured glSabine Baring-Gould:
Man, double-faced by nature, is placed by Revelation under a sharp, precise external rule, controll