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My father would have been spectacularly ill-suited to working for an institution of any kind, and I
My father would have been spectacularly ill-suited to working for an institution of any kind, and I
My father would have been spectacularly ill-suited to working for an institution of any kind, and I
My father would have been spectacularly ill-suited to working for an institution of any kind, and I
My father would have been spectacularly ill-suited to working for an institution of any kind, and I
My father would have been spectacularly ill-suited to working for an institution of any kind, and I
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Amy Bloom:
I usually don't have to do a lot of research in my work, as I'm writing about something I'm alreadyAmy Bloom:
I do have a sister. I have never written much about sisters before. I am very close to my sister, bAmy Bloom:
Keep your mouth shut and see what's happening around you. Don't finish people's sentences for them.Amy Bloom:
My grandmother tended to divide life into 'nice' and 'not so nice.' Life in America, her apartment,Amy Bloom:
People tend to forget that in our country, we'd pretty much all be immigrants, except for the NativAmy Bloom:
I assume as a writer that most of the time I'm going to fall down and fail.Amy Bloom:
My job is to form the people, the story, the sentences. Every reader will bring their own life andAmy Bloom:
I find the 1940s very compelling. It is a very excitable period in the U.S. when, whether out of neAmy Bloom:
As children, we think our mother has always been a mother, but it is just one of the roles you mayAmy Bloom:
If the characters are not alive to me, it doesn't matter how good the sentences are. It just become