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My fault now is making my plays too short.
My fault now is making my plays too short.
My fault now is making my plays too short.
My fault now is making my plays too short.
My fault now is making my plays too short.
My fault now is making my plays too short.
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Beth Henley:
My first few plays took place in the South and even The Lucky Spot was in the thirties but in LouisBeth Henley:
Part of that is that New York has proved to be too much fun for me to live and work; I love New YorBeth Henley:
Plays are so much more special if they've never ever had a production, but I think you can really wBeth Henley:
Some really good things kind of swing both ways and I like to see people that can swing really, reaBeth Henley:
Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this dBeth Henley:
That was always my inclination, to start on a new play before the other one gets done, because at lBeth Henley:
The impetus behind going to graduate school was a year after graduating from college spent in DallaBeth Henley:
The most glorious thing about working in the collaborative art is when you have somebody like SusanBeth Henley:
The next thing I wrote was in a writing class at night school. It was about a poor woman who workedBeth Henley:
Then I went off to Southern Methodist University in Dallas. They had a really wonderful theatre dep