My goal from the very beginning was to make very visually lush, juicy films that you can really sink your teeth into. That's always been part of my modus operandi.

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• Panos Cosmatos:

  I've always liked the idea of merging esoteric art cinema with down-and-dirty exploitation films.

• Panos Cosmatos:

  I was, like, 'I really wanna see an Eric Rohmer movie take place in a Bert I. Gordon universe.' Whe

• Panos Cosmatos:

  I'd been drifting and in a very self-destructive bent ever since my mother died and as soon as I de

• Panos Cosmatos:

  The thing I do miss about the way some sequels were in the past was that each film felt like its ow

• Panos Cosmatos:

  Just making 'Black Rainbow' was like my minimum requirement before death, so that I could die with

• Panos Cosmatos:

  In the night there's sometimes a sort of cursed quality to the Pacific Northwest.

• Panos Cosmatos:

  I feel like I thrive in the red light.

• Panos Cosmatos:

  There was a time in my life when I would literally go see every single film that came out in the th

• Panos Cosmatos:

  I'm too neurotic to ever feel good. If I ever felt good, I think something horrible would happen.

• Panos Cosmatos:

  Well, when I was really young and we lived in Sweden, the only films that were around at that point