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My job is the same if I'm making a new musical or making a play for sixty-five people or doing a li
My job is the same if I'm making a new musical or making a play for sixty-five people or doing a li
My job is the same if I'm making a new musical or making a play for sixty-five people or doing a li
My job is the same if I'm making a new musical or making a play for sixty-five people or doing a li
My job is the same if I'm making a new musical or making a play for sixty-five people or doing a li
My job is the same if I'm making a new musical or making a play for sixty-five people or doing a li
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Thomas Kail:
The beauty of making theater is that you have to go and do it the next day. Making a show nightly iThomas Kail:
Fundamentally, what you're trying to do when you're directing is get a group of people who most likThomas Kail:
I grew up with two sisters, and we owned three movies: 'Grease,' 'It's a Wonderful Life,' and 'GreaThomas Kail:
So much about being a director is getting the show ready for that first preview audience. I have aThomas Kail:
When 'The Sound of Music' aired live on NBC, 18 million people were talking about theater the nextThomas Kail:
As a kid, I wanted to be a sportscaster. On the radio. I loved the idea of painting a picture. I diThomas Kail:
I didn't really start going to see a lot of musicals and live theater probably until I was in sevenThomas Kail:
One of the challenges of being a director is often you don't get to work with your peers. You know,Thomas Kail:
My pride at being a member of the theater community is deep, and we have a chance to reach a lot ofThomas Kail:
I think that one of the beautiful things about theatre - and a place like 'Powerhouse' - is that wh