My novels are about a generation of Americans who lived between 1940 and 2000, who resisted the postwar political and cultural forces by choosing a wandering life of impoverishment and wonder. Inevitably, race and economics are a big part of their stories. Childhood, childishness, and children are never far.
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Fanny Howe:
I grew up reading 19th-century novels and late Victorian children's books, so I try for a good storFanny Howe:
In poetry, I have, since very young, loved poetry in translation. The Chinese, the French, the RussFanny Howe:
I was a go-go dancer at the Dom on East 10th Street in NYC. This was a glittering ballroom over StaFanny Howe:
If someone is alone reading my poems, I hope it would be like reading someone's notebook. A record.Fanny Kemble:
A great number of the women are victims to falling of the womb and weakness in the spine; but theseFanny Kemble:
But I do not admit the comparison between your slaves and even the lowest class of European free laFanny Kemble:
I have been out again on the river, rowing. I find nothing new.Fanny Kemble:
I have been taking my daily walk round the island, and visited the sugar mill and the threshing milFanny Kemble:
I have sometimes been haunted with the idea that it was an imperative duty, knowing what I know, anFanny Kemble:
I said I thought female labour of the sort exacted from these slaves, and corporal chastisement suc