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My primary influences were the best jazz players from the 50's and 60's and later some of the pop p
My primary influences were the best jazz players from the 50's and 60's and later some of the pop p
My primary influences were the best jazz players from the 50's and 60's and later some of the pop p
My primary influences were the best jazz players from the 50's and 60's and later some of the pop p
My primary influences were the best jazz players from the 50's and 60's and later some of the pop p
My primary influences were the best jazz players from the 50's and 60's and later some of the pop p
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Walter Becker:
The protagonist in 'Deacon Blues' is a triple-L loser - an L-L-L Loser. It's not so much about a guWalter Becker:
'Deacon Blues' was special for me. It's the only time I remember mixing a record all day and, whenWalter Becker:
There was a film called 'FM,' and we were asked to do the title song. And I said, 'Does it have toWalter Becker:
It seemed like the more complex the music we were playing, the less able we were to guarantee its cWalter Becker:
'8 Miles to Pancake Day' is a reconciliation of the classic space-time dilemma.Walter Becker:
You have a kid, and it's like, 'He's gotta go to college! Gotta have some clothes!'Walter Becker:
Cynicism, I contend, is the wailing of someone who believes that things are, or should be, or couldWalter Becker:
That's sort of what we wanted to do: conquer from the margins, sort of find our place in the middleWalter Becker:
From a linguistic point of view, you can't really take much objection to the notion that a show isWalter Becker:
I have a feeling there were many, many successful rock duos that just didn't get attention. That's