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My work always comes from the same source - from movement. It doesn't necessarily come from an outs
My work always comes from the same source - from movement. It doesn't necessarily come from an outs
My work always comes from the same source - from movement. It doesn't necessarily come from an outs
My work always comes from the same source - from movement. It doesn't necessarily come from an outs
My work always comes from the same source - from movement. It doesn't necessarily come from an outs
My work always comes from the same source - from movement. It doesn't necessarily come from an outs
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Merce Cunningham:
I think anything can feed you, depending on the way you look at it or listen to it.Merce Cunningham:
What really made me think about space and begin to think about ways to use it was Einstein's statemMerce Cunningham:
My process has changed over the years. I'd say it has been enhanced.Merce Cunningham:
The use of chance operations opened out my way of working. The body tends to be habitual. The use oMerce Cunningham:
In using chance operations, the mind is enriched.Merce Cunningham:
I use the computer as a tool. Like chance or the camera or the other tools I've used, it can open mMerce Cunningham:
Cage always wanted to know what my structure was, if I had one. I often did have some sense of theMerce Cunningham:
I have always had this thing about moving around, and that has just remained, regardless of my physMerce Cunningham:
I think the thing that we agreed to so many years ago, actually, was that the music didn't have toMerce Cunningham:
I began to fear that the Graham work was not in lots of ways sufficient for me. I suppose it came a