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Ninety percent of the time when I'm working, there's this very palpable sensation that I'm doing ev
Ninety percent of the time when I'm working, there's this very palpable sensation that I'm doing ev
Ninety percent of the time when I'm working, there's this very palpable sensation that I'm doing ev
Ninety percent of the time when I'm working, there's this very palpable sensation that I'm doing ev
Ninety percent of the time when I'm working, there's this very palpable sensation that I'm doing ev
Ninety percent of the time when I'm working, there's this very palpable sensation that I'm doing ev
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Adrian Tomine:
The comics work is very slow, and it basically involves working for sometimes years in isolation anAdrian Tomine:
I think the response I get to one 'New Yorker' cover outweighs five books that I publish.Adrian Tomine:
I'm sometimes a cartoonist, and there's an audience for that, and I'm sometimes an illustrator, andAdrian Tomine:
The art editor in charge of the covers at the 'New Yorker' is Francoise Mouly. She's very familiarAdrian Tomine:
For a lot of the time I was in Berkeley, I was single. I was living in a kind of collegiate apartmeAdrian Tomine:
The most impactful comics that I've read are the ones where the artists swung for the bleachers andAdrian Tomine:
I was just taking my sketchbook to Kinko's and making photocopies and hand-assembling them - foldinAdrian Tomine:
I've always published a range of responses to my work in the letters section of my comic book.Adrian Tomine:
I think that artists, at a certain point, can either become defiant and say that the audience is wrAdrian Tomine:
Most of my work - including everything from my own comics to the covers I've drawn for 'The New Yor