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Nothing. We're all friends and friendly. So when the cameras go down, depending on the mood or the
Nothing. We're all friends and friendly. So when the cameras go down, depending on the mood or the
Nothing. We're all friends and friendly. So when the cameras go down, depending on the mood or the
Nothing. We're all friends and friendly. So when the cameras go down, depending on the mood or the
Nothing. We're all friends and friendly. So when the cameras go down, depending on the mood or the
Nothing. We're all friends and friendly. So when the cameras go down, depending on the mood or the
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Richard Dean Anderson:
Oh, who am I trying to kid? It's a madhouse. The minute those cameras go off, things just explode,Richard Dean Anderson:
So it allows me to travel, I'll be doing that and running these great rivers and doing what I've doRichard Dean Anderson:
That was fun to play. There were some nice special effects coupled with some really nice moments wiRichard Dean Anderson:
There's editing, and scripts to read and edit, and casting, and all the elements of production thatRichard Dean Anderson:
They are a fairly aggressive conservation organization that was started to protect the great whalesRichard Dean Anderson:
We're loosely calling it The River Project, but hopefully the pieces that we put together will be eRichard Dean Anderson:
You have to suspend disbelief a little bit to buy into your situation and to the story and to how tRichard Dean Anderson:
I'm not big on reading directions. I can't do that. I'm just not from that world.Richard Dean Anderson:
My morning ritual is to get up and feed the dogs, take my daughter to school, and come home.Richard Dean Anderson:
I always sort of swooned at the sight of the classic barn structures in central and northern Minnes