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Of all the biennials, triennials, quadrennials, internationals, and massive group shows, Documenta,
Of all the biennials, triennials, quadrennials, internationals, and massive group shows, Documenta,
Of all the biennials, triennials, quadrennials, internationals, and massive group shows, Documenta,
Of all the biennials, triennials, quadrennials, internationals, and massive group shows, Documenta,
Of all the biennials, triennials, quadrennials, internationals, and massive group shows, Documenta,
Of all the biennials, triennials, quadrennials, internationals, and massive group shows, Documenta,
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Jerry Saltz:
Galleries began growing in both number and size in the late seventies, when artists who worked in lJerry Saltz:
Rumors sound of galleries asking artists for upsized art and more of it. I've heard of photographerJerry Saltz:
There's something pleasing about large, well-lit spaces. I love that dealers are willing to take maJerry Saltz:
First let me report that the art in the Barnes Collection has never looked better. My trips to theJerry Saltz:
When art wins, everyone wins.Jerry Saltz:
The style of ancient Egyptian art is transcendently clear, something 8-year-olds can recognize in aJerry Saltz:
Art is changing. Again. Here. Now. Opportunities to witness this are rare, so attend and observe.Jerry Saltz:
I see artists bored by light-without-heat, irked at gigantic galleries' pushing out art-as-product,Jerry Saltz:
Not to say people shouldn't get rich from art. I adore the alchemy wherein artists who cast a complJerry Saltz:
These days, newish art can be priced between $10,000 and $25,000. When I tell artists that a new pa