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Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its ori
Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its ori
Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its ori
Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its ori
Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its ori
Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its ori
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Andy Goldsworthy:
It's frightening and unnerving to watch a stone melt.Andy Goldsworthy:
As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath theAndy Goldsworthy:
A stone is ingrained with geological and historical memories.Andy Goldsworthy:
I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flameAndy Goldsworthy:
Snow provokes responses that reach right back to childhood.Andy Goldsworthy:
A snowball is simple, direct and familiar to most of us. I use this simplicity as a container for fAndy Goldsworthy:
Occasionally I have come across a last patch of snow on top of a mountain in late May or June. TherAndy Goldsworthy:
Even in winter an isolated patch of snow has a special quality.Andy Goldsworthy:
It takes between three and six hours to make each snowball, depending on snow quality. Wet snow isAndy Goldsworthy:
The first snowball I froze was put in my mother's deep freeze when I was in my early 20s.