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Our cultural capital has changed tremendously on its way into the twenty-first century. Manhattan h
Our cultural capital has changed tremendously on its way into the twenty-first century. Manhattan h
Our cultural capital has changed tremendously on its way into the twenty-first century. Manhattan h
Our cultural capital has changed tremendously on its way into the twenty-first century. Manhattan h
Our cultural capital has changed tremendously on its way into the twenty-first century. Manhattan h
Our cultural capital has changed tremendously on its way into the twenty-first century. Manhattan h
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Madison Smartt Bell:
Haiti was founded by African slaves who rose against their European masters, had a revolution, andMadison Smartt Bell:
Hemingway's minimalism is based on the psychological mechanics of repression. An echo of his approaMadison Smartt Bell:
In 'For Whom the Bell Tolls,' Hemingway cozies up to revolution by romanticizing it (and not only wMadison Smartt Bell:
I had been an abject fan of Robert Stone since the early eighties, when I borrowed a copy of 'A FlaMadison Smartt Bell:
I had a house in Haiti, in the hills above the North Atlantic coast. The house appeared as if out oMadison Smartt Bell:
To me, there is nothing more soothing than the song of a mosquito that can't get through the mesh tMadison Smartt Bell:
One can't do anything alone in Haiti. Sharing and cooperation are so deeply woven into the cultureMadison Smartt Bell:
Since the 1960s, exile for Haitians is a condition that ends only to begin again.Madison Smartt Bell:
The country is too often assumed to be a backward place: The First World has trouble remembering thMadison Smartt Bell:
I don't call myself a very good Christian, but I think I know one when I see one, and I also think