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Our job is to unleash the play. It's not just about your character or interaction with the other ch
Our job is to unleash the play. It's not just about your character or interaction with the other ch
Our job is to unleash the play. It's not just about your character or interaction with the other ch
Our job is to unleash the play. It's not just about your character or interaction with the other ch
Our job is to unleash the play. It's not just about your character or interaction with the other ch
Our job is to unleash the play. It's not just about your character or interaction with the other ch
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Glenda Jackson:
I studiously avoid any academic dissections of the play and any kind of previous experience of playGlenda Jackson:
My mother kept all my awards on the sideboard of her front room, and she polished them. She polisheGlenda Jackson:
I've always said the first duty of life is to live it, and I do believe that. And we delude ourselvGlenda Jackson:
It always amazed me - it still does - that people offer me work. And when the theater was my basicGlenda Jackson:
Usually, if there is a woman's part in a piece, there's only one, so you've got no other actressesGlenda Jackson:
The best theater is trying to tell the truth, and the best politics is trying to tell the truth.Glenda Jackson:
My fear with 'Lear' was that I would not have the physical or vocal strength. But this play, it's aGlenda Jackson:
If a woman is successful, then she's deemed to be the exception that proves the rule. If a woman faGlenda Jackson:
I find it extraordinary that contemporary dramatists don't find women interesting. Women are rarelyGeraldine McEwan:
During the war, my mother used to take me to the local repertory theatre on a Monday night, and we