Painting... in which the inner and the outer man are inseparable, transcends technique, transcends subject and moves into the realm of the inevitable.

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• Lee Krasner:

  People were very affected by the war. But it didn't mean you stopped painting unless you were calle

• Lee Krasner:

  The Jumble Shop would be one place where we'd sometimes accumulate down in the Village. I think it

• Lee Krasner:

  The procedure was that an artist got a mural and then he would have anywhere from two to ten assist

• Lee Krasner:

  Well, I'd say that the beginning of this thing came through with Art of This Century, Peggy Guggenh

• Lee Krasner:

  Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the

• Lee Krasner:

  With Jackson there was quiet solitude. Just to sit and look at the landscape. An inner quietness. A

• Lee Krasner:

  You were told how much space so it was a matter of whether you could send in two paintings or three

• Fritz Sauckel:

  Although as a sailor I despised politics - for I loved my sailor's life and still love it today - c

• Fritz Sauckel:

  As a cabin boy on a Norwegian sailing ship I earned five kronen a week in addition to my keep.

• Fritz Sauckel:

  As I, as a worker, came to know them, the aims of German trade unions were political, and there wer