Painting was a problem - you produce a thing, and then you sell it and get money, and that was quickly considered totally uncool.

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• Rachel Kushner:

  For me, everything about the telling is guided by tone. It's a bit mysterious; it's either there, o

• Rachel Kushner:

  Tone is somewhat totalising in that, once I locate it, it tells me what kind of syntax to use, what

• Rachel Kushner:

  The interaction between the two matters, but to me, each doesn't really exist independently of the

• Rachel Kushner:

  I know what it's like to go very fast on motorcycles. Those moments, they stay with you.

• Rachel Kushner:

  Telluride has an incredible history and reputation, and I've long known of it as a unique entity th

• Rachel Kushner:

  Growing up, I was not told that there were women's areas of preoccupation or male ones.

• Rachel Kushner:

  My dad had a Vincent Black Shadow, which was a quite particular thing: it was the fastest cycle of

• Rachel Kushner:

  I don't have any outside view of myself, and if I did, I would probably be creatively inhibited. I

• Rachel Kushner:

  I don't really know what the Great American Novel is. I like the idea that there could be one now,

• Rachel Kushner:

  A historical event represents the best and the worst of that moment.