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Part of me becomes the characters I'm writing about. I think readers feel like they are there, the
Part of me becomes the characters I'm writing about. I think readers feel like they are there, the
Part of me becomes the characters I'm writing about. I think readers feel like they are there, the
Part of me becomes the characters I'm writing about. I think readers feel like they are there, the
Part of me becomes the characters I'm writing about. I think readers feel like they are there, the
Part of me becomes the characters I'm writing about. I think readers feel like they are there, the
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Louis Sachar:
My parents played bridge, and I remember being fascinated watching them. I sometimes got a chance tLouis Sachar:
I write in the mornings, two or three hours every day, and then at least four times a week I play iLouis Sachar:
I think of a book and a play, or a book and a movie, as two separate things - I don't think of it aLouis Sachar:
I don't think too much about the audience when I'm writing... I'm aware that 'Holes' was read by kiLouis Sachar:
With 'Holes' I was troubled that there weren't very many female characters. I tried to put them inLouis Sachar:
I jog in the morning and then write for about two hours. There are times when I'm really excited anLouis Sachar:
'The Cardturner,' while it has bridge in it, you certainly don't need to know how to play bridge toWilliam Hurt:
You have to create a track record of breaking your own mold, or at least other people's idea of thaWilliam Hurt:
All I know is that my best work has come out of being committed and happy.William Hurt:
The simple fact of existence, of being aware that you are aware; this to me is the most astounding