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Particularly in the final stages I always find that I'm rushed. It's dangerous when you're rushed i
Particularly in the final stages I always find that I'm rushed. It's dangerous when you're rushed i
Particularly in the final stages I always find that I'm rushed. It's dangerous when you're rushed i
Particularly in the final stages I always find that I'm rushed. It's dangerous when you're rushed i
Particularly in the final stages I always find that I'm rushed. It's dangerous when you're rushed i
Particularly in the final stages I always find that I'm rushed. It's dangerous when you're rushed i
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Satyajit Ray:
My films play only in Bengal, and my audience is the educated middle class in the cities and smallSatyajit Ray:
My cameraman and I devised a method, which we started using from my second film, which applies mainSatyajit Ray:
Most of the top actors and actresses may be working in ten or twelve films at the same time, so theSatyajit Ray:
It was only after Pather Panchali had some success at home that I decided to do a second part. ButSatyajit Ray:
I've made seventeen or eighteen films now, only two of which have been original screenplays, all thSatyajit Ray:
I wouldn't mind taking a rest for three or four months, but I have to keep on making films for theSatyajit Ray:
I was interested in both Western and Indian classical music.Satyajit Ray:
I think they quite like me when I work because I'm one of the safer directors to back, because evenSatyajit Ray:
I mix Indian instruments with Western instruments all the time.Satyajit Ray:
I had developed this habit of writing scenarios as a hobby. I would find out which stories had been