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People come to the Fountain Theatre because they've got hearts that are working and they've got hea
People come to the Fountain Theatre because they've got hearts that are working and they've got hea
People come to the Fountain Theatre because they've got hearts that are working and they've got hea
People come to the Fountain Theatre because they've got hearts that are working and they've got hea
People come to the Fountain Theatre because they've got hearts that are working and they've got hea
People come to the Fountain Theatre because they've got hearts that are working and they've got hea
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Athol Fugard:
I think all of my writing life led up to the writing of 'The Train Driver' because it deals with myAthol Fugard:
My life had been defined by the apartheid years. Now we were going into an era of democracy... andAthol Fugard:
You'll see that the strong, the affirmative, the positive voice in any of the plays I've written isAthol Fugard:
You can't legislate into existence an act of forgiveness and a true confession; those are mysteriesAthol Fugard:
The act of witnessing is important to me; somebody's got to tell the truth, you know what I mean?Athol Fugard:
My essential identity is that of a writer.Athol Fugard:
Obviously when it comes to the question of telling stories about other people's lives in a situatioAthol Fugard:
All of my life had been spent in the shadow of apartheid. And when South Africa went through its exAthol Fugard:
Creativity is very selfish. Scandalously so, in fact.Athol Fugard:
I'm always in disguise in one form or another in my plays.