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Photography brought a lot to painting because it forced artists to think about what painting could
Photography brought a lot to painting because it forced artists to think about what painting could
Photography brought a lot to painting because it forced artists to think about what painting could
Photography brought a lot to painting because it forced artists to think about what painting could
Photography brought a lot to painting because it forced artists to think about what painting could
Photography brought a lot to painting because it forced artists to think about what painting could
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John Lanchester:
I grew up abroad, and when I first passed through London in the 1970s, it seemed a drab and provincJohn Lanchester:
When I first travelled to New York in 1982 on a summer holiday as a student, I remember thinking hoJohn Lanchester:
I have sane friends, solvent friends, foodie friends, and friends who can take time off in the weekJohn Lanchester:
France and Britain have large culinary differences, but one thing they do share is a relatively lowJohn Lanchester:
In the world where people with money overlap with restaurants and try to work out how to make moreJohn Lanchester:
The deconstructed, postmodern pizza has been with us for ages, and the fact is that pretty much eveJohn Lanchester:
'Dead peasants insurance' is a term that sounds as if it comes straight out of Monty Python. If onlJohn Lanchester:
We can all instinctively understand the idea of life insurance; most of us will feel an instinctiveJohn Lanchester:
Some things get clearer as you look back on them.John Lanchester:
I write non-fiction quicker, and I write it on a computer. Fiction I write longhand, and that helps