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Pleasure becomes a value, a teleological end in itself. It's probably more Western than U.S. per se
Pleasure becomes a value, a teleological end in itself. It's probably more Western than U.S. per se
Pleasure becomes a value, a teleological end in itself. It's probably more Western than U.S. per se
Pleasure becomes a value, a teleological end in itself. It's probably more Western than U.S. per se
Pleasure becomes a value, a teleological end in itself. It's probably more Western than U.S. per se
Pleasure becomes a value, a teleological end in itself. It's probably more Western than U.S. per se
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David Foster Wallace:
Nuclear weapons and TV have simply intensified the consequences of our tendencies, upped the stakesDavid Foster Wallace:
This might be one way to start talking about differences between the early postmodern writers of thDavid Foster Wallace:
TV's 'real' agenda is to be 'liked,' because if you like what you're seeing, you'll stay tuned. TVDavid Foster Wallace:
It can become an exercise in trying to get the reader to like and admire you instead of an exerciseDavid Foster Wallace:
I think TV promulgates the idea that good art is just art which makes people like and depend on theDavid Foster Wallace:
I often think I can see it in myself and in other young writers, this desperate desire to please coDavid Foster Wallace:
Fiction's about what it is to be a human being.David Foster Wallace:
The other half is to dramatize the fact that we still 'are' human beings, now. Or can be.David Foster Wallace:
I just think that fiction that isn't exploring what it means to be human today isn't art.David Foster Wallace:
This diagnosis can be done in about two lines. It doesn't engage anybody.