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Previously the same Polish audiences would have been pressured into seeing cinema made for adults,
Previously the same Polish audiences would have been pressured into seeing cinema made for adults,
Previously the same Polish audiences would have been pressured into seeing cinema made for adults,
Previously the same Polish audiences would have been pressured into seeing cinema made for adults,
Previously the same Polish audiences would have been pressured into seeing cinema made for adults,
Previously the same Polish audiences would have been pressured into seeing cinema made for adults,
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Andrzej Wajda:
One might have thought that the most significant change in the film industry that would come aboutAndrzej Wajda:
On the one hand, young theatre directors were coming to television theatre, because they wanted toAndrzej Wajda:
On the one hand, we had great filmic spectacles that brought in big audiences, adults as well as prAndrzej Wajda:
Nevertheless, in the theatre, and in the cinema, the contemporary reality of Poland has been represAndrzej Wajda:
Language also encodes our past. We want to know who we are. To know who we are, we have to know whoAndrzej Wajda:
It was progressively more difficult to find work in the theatre, as well.Andrzej Wajda:
It turned out that the country was helpless in the face of a new reality.Andrzej Wajda:
In the same period, Polish literature also underwent some significant changes. From social-politicaAndrzej Wajda:
In the forty years of the people's republic, some of the worst historical traits were preserved inAndrzej Wajda:
In the first years after the systemic transition, our screens showed American entertainment that ha